Collaborations

I just wrapped up a couple of really exciting collaborations on some choral pieces, one with a local lyricist, and one with a famous author. The collaboration with the famous author was across time and space, and we’ve never actually met (aside from brief twitter conversations). But his assistant said it was okay, and that’s all that matters.

The local lyricist/poet’s name is Danielle King and we’ve put together a very exciting piece for all three Soundings Studio Choirs (Women’s Ensemble, High School Choir, Middle School Choir) plus guitar and harp. Danielle did a great job on the text, and I’ll be announcing the title tomorrow. (Here it is!)

Unfortunately, while I was hoping the collaboration with the famous author would be premiering at a concert this winter, it looks like it’s going to have to wait until the Spring. But it’s okay, I think it’s more of Spring piece anyway.

The Sandman, By Neil Gaiman

I can’t remember how long ago I began to read Neil Gaiman‘s Sandman series. I can’t remember what I thought I was getting myself into, or how I thought it would turn out.

Sandman #1 "Sleep of the Just"

Whatever I thought I was getting into, I knew that reading it was going to be a long process. Graphic Novels are fairly expensive, and not always guaranteed to be found at your local library. There was a long lag between reading the first volume (“Preludes and Nocturnes“) and the second volume (“A Doll’s House“).

Dream

I read on, fascinated by Dream’s six siblings (Death, Destiny, Despair, Destruction, Desire, and Delirium). The interplay between these seven, the Endless, is some of the best sibling writing I have ever had the pleasure to read.

The Endless

As my reading was somewhat disjointed (infrequent and out-of-order) I would strain to keep the plot and characters straight. This was easier than its sounds, as a comic it was designed to be somewhat self-contained, therefore some of my straining extracurricular.

Dream with his helm.

I recently was able to finally end my long quest to read “Sandman.” I actually finished it on my birthday, and it was worth every moment spent seeking, reading, and straining. The ending of Sandman weaves in everything from the preceding comics into a gorgeous crescendo of story. Nothing I have ever read has been more satisfying.

Sandman #75 "The Tempest"

Sandman is modern epic. It should be read not only by those who are interested in comics, but those who are interested in story period. Sandman is the very first book I have every finished with a burning desire to reread (this time in order) and also the first book I have finished with a burning desire to own.

Brilliant and inspiring, I am awestruck by Sandman.

Nathan Hathaway

Neil Gaiman and Charles Vess – “Instructions”

I am extremely tired so I am just going to share this beautiful trailer for Neil Gaiman and Charles Vess’s “Instructions.” Neil Gaiman has a lyrical voice which lilts over Vess’s intricate illustrustration. Upcoming posts include more art and more Neil Gaiman.

Hoping you enjoy!
Nathan Hathaway

Reading

Why do you read? What do you read? Why do you read what you read?

Do you even read? (If you don’t, please don’t tell me, I don’t think my constitution can handle that.)

When you read, what are you aiming for? Pleasure? Self-improvement? Information? Distraction?

Have you read the classics? Are you well read? What does that even mean?

I’ve been having a lot of conversations with my friend Stephen about this lately, so I thought I would do some writing on it. He has often said that if one read the classics that would be all they ever read. Which is very true. Every time I approach the classics table at Barnes & Noble I think, “I need to read that, and that, and that, oh geez.”

I consider myself a reader, even though there are several things I still need to read (“To Kill A Mockingbird” and “The Two Towers” being just two examples). I plan to read these and other classics, I know they’re still here for a reason, and I know I have things to learn from them.  And the list slowly get smaller and smaller (I’ve almost conquered the Iliad.)

Sometimes I read things on coercion. The reason I finally got around to reading “Othello” and “King Lear” was because someone I was in a show with refused to acknowledge I existed until I had read them. “Huckleberry Finn,” “Pride and Prejudice,” “1984,”  and the Odyssey were all things I read as the result of English classes.

But I don’t sit around the house always reading from some imaginary checklist of books, and I think if I did I would be absolutely miserable. I read things that interest me, whether or not it’s a candidate for the most important work in the English language.

So what does being well read mean? Does it mean that you’re smart? That you’re literate? I don’t think the title is what matters, but it brings up an interesting question about what drives our book selection. I usually select reading material that reflects desires and interests in my life and art. (Such examples include Neil Gaiman and obscure Elizabethan drama.)When I decide to read a classic there is sometimes a sense of obligation involved, but reading a book is one of the more harmless actions in the universe, and I have yet to regret picking up a classic.

I don’t think anyone should ever feel guilty about not reading the “right” books, just as long as they read (preferably good) books. The beautiful thing about the diversity of human experience is that it is reflected in its produced literature. No one book or set of books can be the ultimate or the only one(s) of importance. You can try to boil it down but you’ll always end up leaving something out, or including something that someone will find to be absolute dreck. It’s all subjective. Reading something like “Watchmen” can be just as valid as reading “Hamlet.” They are both well-crafted expressions and valuable to different audiences.

Of course, twist my arm and quote “Twilight” at me and I’ll say Hamlet is better, but that’s quite beside the point.

But what do you think?

Reading,
Nathan Hathaway

Europe 1, USA 0

The above French McDonald’s commercial has gotten a lot of traffic in the U.S. in the last few days. It’s been featured on news shows; I fond it via a retweet by Neil Gaiman. Once again, those damn Europeans are beating us at that whole being smart thing. It’s sad to know that the ad is causing such a firestorm here, and exciting to know that McDonald’s felt comfortable enough to show it overseas.

How do you feel about ads so specifically targeted at a group? How would you feel if it was your controversial demographic represented? And also, should the US response to this ad really matter, since it’s not meant for the American people?

Nathan Hathaway

Sophmore Year of College, Check!

Well, sort of . . .

In troth, I still have an hour and a half before I am officially a Junior, which is why I’m taking Old Testament at AB Tech. Let me say that again.

I’m talking Old Testament at AB Tech.

Just about everyone I have uttered that statement to has broken out in giggles or looked at me like I was from outer space. It actually fulfills a Gen Ed requirement at Montreat (Being a Christian College and all that . . .). It looks like it’s going to be a great class. The instructor seems to understand the concepts of simplicity and being straightforward, something precious few professors seem to get. They would rather clutter their classes with busy work and unbending deadlines for every single tiny assignment.

Also, the class has, for the first time, made me grateful I was raised in a Christian household. This has afforded me a greater understanding than some of one of the most important books in the written tradition. It’s also increasing my interest in said book, and it’s nice to study it myself, without the trappings of my upbringing.

I am also ecstatic beyond words to finally have time to read again! Hallelujah! So far I have read:
Starsdust by Neil Gaiman
Anansi Boys by Neil Gaiman
The Eternals by Neil Gaiman
Neverwhere by Neil Gaiman
Troilus and Cressida by William Shakespeare
Genesis

Speaking of Troilus and Cressida, I have grandchildren!

Isn’t it great?

I’m so proud.

Ok, you don’t find this funny. I get it.

Oh, you want me to explain. Uh huh . . .

I’m playing Priam, King of Troy, for two weekends of the Montford Park Player’s production of Troilus and Cressida, directed by Jason Williams. And Priam is super ancient and has grandchildren. Not my usual, but I’m looking forward to it (and you know what they say, it’s good to be the king!). I am terribly excited to be in a show again and see all my downtown friends.

A little bit of vanity while I was waiting for Complete Works to start.

Yesterday, I went to Montford to see “The Complete Works of William Shakespeare (abridged).” It was hysterical. I would highly recommend going to see one of their final two performances.

Must dash, I’m going to hang out with the cast of Complete Works, but I’ll end this with the fact that I hope to produce some (probably free) play readings this summer!

Yours forthcoming,
Nathan Hathaway