The Mystical Journey of “Embellish,” by The Jellyrox

Picture0421132049_1_editedWhen I discovered The Jellyrox was releasing a new EP, I was quite excited. Dear Matt creates deliciously infectious positive pop that neither give me diabetes nor makes me feel guilty for my pleasure. I dutifully pre-ordered and waited.

I received my copy in the mail and drove to the place where my best friend was house-sitting. Also a fan of the pox (ehrm, rox), he agreed that we should listen to it. I place it in the Mac and went to make a cup of tea.

I came back to find it had been ejected. Assuming I had inserted it facing the wrong direction, I placed it in the other way. I began to prepare my body for the music.

But it was stuck. The computer would not acknowledge the disc’s existence, and would not eject it. I tried everything and nothing worked. All it would do was make a whirring noise every 2.5 second. To taunt me.

This did not end well for me emotionally. The fun thing about nervous breakdowns is that it’s the serious stuff that builds the fire, and the stupid that sparks it.

Eventually, the Mac regurgitated my disc and I am happily listening to it now. The moral of the story is, “Buy more physical CD’s, because if a Mac eats the only one you’ve bought this year, it’s that much more devastating.”

Modern Madrigals: Batman, Llama, & Autocorrect

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Riddle me this, riddle me tangerine.

What do Batman, Llamas, & Autocorrect have in common?

Would you believe, choral music?

Last year, I wrote a set of Choral Pieces called the “Modern Madrigals.” What is a Modern Madrigal you ask? (Feel free to skip to the music if you like, you don’t need no education to enjoy my music.)

Inspired by the idea of replacing Fa La La with LOL, the Modern Madrigals marry modern concerns with older styles of music.

The first was entitled, “My Man Is My Batman.” It describes a young couple going on a date to see “The Dark Knight Rises” and their evening of hijinks. For the theory nerds, at the end I use what I call a Leaning Tone Cadence, which is V-N6-I.

 

The second, “This Llama,” talks about the true story of a dear friend moving to Ohio, and the picture I made to wish her farewell. Here I also got to have some fun with Fa La La.

 

And finally, “Curse You Autocorrect,” uses my original idea to sing a song of woe for when our phones think they are smarter than we are.

They were a joy to write and I am forever grateful to Timothy Wilds for giving me a place to inhabit artistically and the Montreat College Choir for bringing my music to life.

Share them if you like them! If you or someone you know are interested in having a choir perform any of these, feel free to contact me.

With love,
Nathan Hathaway Adams

Collaborations

I just wrapped up a couple of really exciting collaborations on some choral pieces, one with a local lyricist, and one with a famous author. The collaboration with the famous author was across time and space, and we’ve never actually met (aside from brief twitter conversations). But his assistant said it was okay, and that’s all that matters.

The local lyricist/poet’s name is Danielle King and we’ve put together a very exciting piece for all three Soundings Studio Choirs (Women’s Ensemble, High School Choir, Middle School Choir) plus guitar and harp. Danielle did a great job on the text, and I’ll be announcing the title tomorrow. (Here it is!)

Unfortunately, while I was hoping the collaboration with the famous author would be premiering at a concert this winter, it looks like it’s going to have to wait until the Spring. But it’s okay, I think it’s more of Spring piece anyway.

Happy Birthday John Philip Sousa!

This morning I was alerted to the fact that it was not only Election Day (Vote!), but also John Philip Sousa’s birthday! How apropos.

So in honor of the occasion, here are some of the works of the American March King, in some very informative videos by the Marine Band. God bless our troops.

Digital high five if you can’t listen to “The Washington Post” without hearing lyrics by Sondheim.

A funny story about marches and birthdays: A beloved professor of mine’s birthday occurred on the same day we were learning about Sousa and his marches in Music History. We asked our instructor why the trio section was so named. He jokingly replied that it was in 3. Well, we believed him, and the Trio section of the March I wrote for the other professor’s birthday, was, and is, in 3!

The Wonderly Fanfare, by Nathan Hathaway Adams, performed by Dr. Anthony Moore

A Romantic Era composer, while famous for his military band marches, he also wrote operettas and was a fan of the work of Gilbert & Sullivan. He wrote an orchestration of the team’s H.M.S. Pinafore, and composed a march using the themes of Gilbert & Sullivan’s The Mikado, which is particularly interesting to me as I just auditioned for a local production of said operetta.

And that’s just the tip of the iceberg! I plan to keep reading about and listening to this uniquely American composer. Are you a fan of Sousa? Interested, like me, in learning more? Then drop me a line and let’s talk sometime.

Marching,
Nathan Hathaway Adams

Montreat College Student Recital

Montreat College Student Recital
Tuesday, October 16th 7:00 PM
Chapel of the Prodigal, Montreat College
I will be reprising my duet from the Opera Scenes Workshop, singing Strephon from Gilbert & Sullivan’s Iolanthe, with Ciara Stalling singing Phyllis.

Embarking on “The Lord of the Rings”

I have recently began the quest of reading “The Lord of the Rings,” and I know I’m a bad member of the western world for not having finished it earlier. But honestly, I’m glad I didn’t. I wasn’t ready for it in High School. I am now far enough removed from High School to admit all of the things I did not understand and was not ready for.

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Like this movie.

Now that I am older and more mature Now that I am not in High School, what was once an arduous task is now a joy and treasure. I warned my friends when I restarted the books that I was very likely to become one of those Lord of the Rings fans. And it’s very quickly becoming true. I have used the word “mathom” in conversation more times than I can recall, and I can’t wait to start reading the appendices.

I love how much music is in the books. It is further contributing to my desire to see more spaces made for the communal making of music. The sharing of songs and the telling of tales. I think it’s so important to make music corporately, which is part of the reason I love writing hymns.  This aspect has also pushed my interest in the stage version of the epic which has played to audiences outside the U.S.

Which includes music by A. R. Rahman.

But one thing that has been bothering while reading the books is the fact that they’re in copyright. I have heard it said over and over again that Tolkien wanted to created a mythology for the English speaking world. But what good is a mythology if it doesn’t belong to the people? A mythology is at it’s richest when many voices are contributing to it creating new variations and threads. This is something that frustrates me about many of our Western mythos. It’s very hard for the layman to contribute to them in an area much larger than fan fiction. I crave for the day when society’s great icons will truly belong to society.

In Fangorn,
Nathan Hathaway Adams

 

In the Land of the Sky

In my Junior year at Montreat College, as a part of my Interdisciplinary Studies, I was apart of a group of Music Business students charged with the task of recording & releasing an album. We could choose anything we wanted for this very real class assignment, and we choose the Swannanoa Valley.

The result was “In the Land of the Sky,” a collection of stories and songs connected to the valley. Looking back, it was a very special experience to make this album a reality, and I think for me, that’s the most special thing about it, that it’s real.

My main task was to oversee the material for the narrations that appear on the album, giving context for the songs. While I was not with the group for the last semester of the project, nearly all of the narrations were written or edited by me.

We had a lot of wonderful people contribute the the album, including David Holt, Wayne Erbsen, Bert Brown, Don Talley, and Matt Auten. You can find the album on amazon here, as well as on iTunes and cdbaby. If you get it, let me know what you think!

Love,
Nathan Hathaway Adams

“This Is Not Over Yet”

[After I wrote this post, I wrote a follow up post here.]

Yesterday, North Carolina passed Amendment One. I am deeply saddened by this. Do I see this Amendment as prejudiced? Yes. Do I see everyone who voted for it as a bigot? No. I hope that everyone can find a way to have helpful and respectful dialog in their own little worlds over the coming months. But perhaps most important of all, is this journey over? No. Do I have a song that is perfect for this particular moment? DUH.

*Small word choice edits made for clarity after skimming Justin Lee’s Blog. 

Contemplating,
Nathan Hathaway Adams

May the Fourth Be With You! (Cut Songs from STAR WARS)

May the Fourth be with you! To celebrate, let me present to you two songs that were cut from the current versions of the STAR WARS films, both of which I rather like!

The first is “Lapti Nek,” the original Jabba’s palace song. This was actually written by Joseph Williams, John Williams son. I’ve heard this was changed because they wanted something less dated (and “Jedi Rocks” CERTAINLY fixes that), but I really prefer this song.

The second is Yub Nub, the Ewok Celebration Song from the original ending of “Return of the Jedi.” This was replaced in the special editions by shots of the entire Star Wars universe celebrating the downfall of the Emperor. Because as all of us in the modern west know, the moment you eliminate a nefarious leader, their ENTIRE nefarious network falls instantly. (And even if it did, why would Tatooine care? I thought they were controlled by the Hutts?)

The force will be with you . . .

always,
Nathan Hathaway Adams