GED

The GED is Plan B.

The GED tests are a way to finish high school without completing the traditional four year program at a traditional four year school.

I pursued the GED because my family situation made it impractical to both care for them and pursue my diploma in a diligent fashion. It has never really bothered me that I had to get my GED, but it has always bothered me that it limited my options.

My sister recently received her GED for similar reasons. There was a graduation ceremony, and I initially didn’t want to go. Academic ceremonies tend to make me puke.* They tend to remind me of High School, and people who want to remember High School unnerve me.

*Except College Graduations.

But we went, and I was very happy for it.  Unlike other ceremonies, I felt very included. The ceremony celebrated the hard work and initiative it takes to get the GED. But beyond that, it really brought something home for me.

The GED program was started to enable WWII vets to return to civilian life. And while none of the stories shared were so severe as a war experience, all of them shared something that they had been through. Whether that something was parenthood, immigration, or just dropping out, the acquiring of the GED meant something because of that something. The GED signified the moving on and the triumphing over some extreme life situation.

Maybe it’s not a High School Diploma. But it means that you’ve made it. Life has met you, and you have socked life in the face.

Rock on GED recipients.

Nathan Hathaway Adams

Double Errors: A Comedy of Falsehood

So yes, a little remiss on my side of things for not posting lately, and I do apologize. But you see, I’ve been rehearsing a show and it’s running now!

Oh, you mean I should have told you that?

Well, I just did!

Alright fine. I’ll hit myself with a whip and sing Sondheim’s “Mea Culpa”  later. But first I want to tell you about the show I’m in. It’s the first mainstage show of the Montford Park Player’s summer season and boy is it a doozy! It’s a Double Feature of “The Comedy of Errors” and “Double Falsehood.” “Errors” is of course the well known Shakespeare play, and “Falsehood” is of course the very obscure Fakespeare* play.

*A Fakespeare is a play of dubious quality which “scholars” have “decided” is a part of “Shakespeare’s” “canon.” Plays that were based on plays by Shakespeare tend to fall into this category.

This show is a blast to perform.  It’s kind of teetering on the edge of being a musical. In a Bollywood sort of way. And we grab our balls while wearing bling. You kind of just have to see it.   I play various parts in “Errors” and the wronged lover Julio in “Falsehood.” It runs Fri/Sat/Sunday nights in June, and it’s free! Details are here.

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Ta-ta for now!

Nathan Hathaway Adams

P.S. Mountain Express Review: Double Errors